Tales from the East (Imago Chronicles: Book Three 3)

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There, he will find Elderly Brothers that will instruct him and incite him to cross a different kind of horizontal Plane, the Path of the initiatory Science as a Labyrinth, this time, of understanding and wisdom.

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This will allow him the access, if he wants , to the True Vertical Vision, which leads to the inner Door of Initiation. The first operation that a Master Mason must accomplish at his Ritual access to the Temple is the Squaring on the floor. The meaning of this operation has been sufficiently explained in the part dealing with the Boundaries of the Temple.

The responsibility of taking care of the perambulations on the Floor is given to the constant attention of the Brother that has the task of W.

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The M. If we wonder the reason for this, we will find that in Tradition the Motion of the Temple follows the motion of the Mobile Cross, also called Cross of the Disciple. The symbol of this Cross is the sign of the motion in the physical Sun passed on into the Swastika; this symbol is present in the Eastern Tradition as well as in the Celtic-European one and in the Western Tradition of Native Americans or American Indians.

In Europe we still find the same esoteric meaning in St. Andrew's cross with the Sun placed in the cross of the arms, which are diagonal to each other. For the researchers, I would like to report what Scandinavian Archaic Cosmogony says about this sign of solar motion see image , which they call the Hammer of Thor , Active Will of the Solar Logos. Notice how in all Cosmogonies the instruments of Power have a proper name, showing that they are permeated with life. This Tradition was active until the most recent times of warrior casts, who named the Sword see Symbol of the Sword and this was a common habit in the East as well as in the West.

I suggest you carefully consider the analogies of the Scandinavian Cosmogony with others; you will be surprised by the similitude in terms and numbers. Quoting the Archaic Cosmogony, there are two representations for the Swastika, one oriented clockwise and another anticlockwise. The clockwise Swastika indicates Sublimation or Spiritualization ; therefore Matter is defeated and redeemed. Furthermore, it represents the Cycle of Spiritualization, viz.

This is the reason for this movement at the opening of the Works: the elevation of the psychic and energetic status of the participants to the Work of construction towards the ideal height of the G. The other Swastika, oriented anticlockwise, expresses Condensation or Materialization and it represents the Cycle of construction of Material Forms, the predominance of Matter on Spirit.

This is the reason for the anticlockwise Motion at the exit: to allow the energies evoked during the "vertical and clockwise" entrance, "Solar" of the Three Lights and the Body of the Brothers Dignitaries and Officers to penetrate "strongly" in the Physical World and be dragged, voluntarily and involuntarily, to the exit in the profane World, for the longest possible time. Storm Rider Lasniniar Collection. Jacquelyn Smith. The Swordsheath Scroll. Dan Parkinson.

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She has found love, but even in this, she still has a hard road to travel. The Imago series has captured me entirely and I am looking forward to starting the fourth book in the sereis, The Tears of God. Jul 22, Edwin Downward rated it really liked it. Lorna Suzuki has done it again with this 3rd journey into the land of Imago, an epic land with wonders to behold.

Jenny Slatton rated it liked it Aug 15, Aaron Overfield rated it it was amazing Apr 04, Grace Weil rated it liked it Dec 03, Sandra MacKay rated it it was amazing Nov 17, Robert rated it really liked it Jun 17, Jason rated it liked it Aug 13, Matty rated it really liked it May 27, Italia Gandolfo rated it it was amazing Jul 11, Larissa marked it as to-read Dec 01, Sue Saunders marked it as to-read Jul 22, Heather marked it as to-read Aug 01, Rexcrisanto Delson marked it as to-read Oct 22, Kryla marked it as to-read May 09, Morgan added it Jun 06, Brian Rathbone is currently reading it Jul 24, The sacred and the profane trace a topography of the wonder that fills the geography with unique places that are remote or potential scenarios of all kinds of prodigies.

Relics and valuable, unusual or exotic objects are eagerly sought, believed to carry prodigious virtues or to be vestiges of creatures both remote and fabulous. Present in royal courts, in church treasuries or in wealthy homes, they are tangible forms of the supernatural. Some objects from the Eastern Christian world will achieve a remarkable legendary dimension. Written and visual stories were fundamental vehicles to consolidate and spread the wonder in the middle Ages. Its various forms find a great means of expression in both profane and hagiographic literature.

Miracle, legend and adventure are constant in literature and in figurative arts. You are commenting using your WordPress. Test of the Twins. The Third Soul Omnibus One. To Light a Candle.

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